So yes, in my last Blog Post I promised that I would show off some actual 3D coming from me! This is not me saying that rigging and skinning characters or drawing 2D turnarounds for characters isn’t 3D. In 3D projects where characters and animations are important, those things are just as necessary as making the 3D models.
However, skinning and rigging are not really the most interesting topics when it comes to 3D. In fact, they are amongst the most hated parts of working with 3D! They are slow, boring, tedious and not really all that difficult either. It’s just slow pased, drawn out and rarely appreciated by those outside the development team. They are like a clean and tidy room. No one will mention it if it’s clean, but everyone will point it out as a bad thing if it’s not.
That being said, let’s get to something more interesting! 3D modeling!
Importance and use of props
A prop is something that can be found inside the game’s world. Everything from items to pick up such as potions and weapons, or furniture and other items to interact with or fill a room with etc.
Props are important when it comes to giving life to any given game world. Imagine a room with nothing inside it. Quite boring, isn’t it? Now, add in a chair into the room. Still not that much, but it’s something. Now add a table next to the chair, and you have somewhere to sit. Depending on what you put on the table, your interpretation of the room and situation changes. Putting a computer there could mean that it’s a work space whilst putting some plates and silverware on it gives more of a dining room feeling. Each individual part you add can tell its own story depending on how you use it and what you pair it with. Like if you put the table, chair and whatever was on it on its side, then you will probably get a more dire feeling from it. Like something is off about this room. Maybe there had been a fight or something?
Of course, this being a HiddenMaxDesign, I have to show you some boring but important stuff! Can’t go without that, now could we?
UV Mapping is something you do when you want to texture an 3D object. Which is basically painting stuff onto them. To be able to do that, we have to let the program know what can be textures and how it should apply to a certain object. Each object is unique and require its own UV map to apply textures to. You do this by extracting the surface information from the object by opening its UV map, rearrange it and open them up to get a flat surface, a sort of canvas you could say, to paint on.
Hey, remember our old friend, The Troll?
This is the results of proper UV Mapping. In the top picture the textures are all stretched out and weird as well as impossible to paint textures onto. Whilst the lower one is a lot cleaner and has some clear flat surfaces to paint on top of.
Rounding things up
Phew, quite a lot of work for a single thing to be created in 3D, isn’t there? It’s not just make the 3D model, paint it and get it animated as one might first think. You can bet a ton of love and care has been put into a 3D anything if it ends up looking good in the long run. There’s no room for slacking if you want things done properly!
For my next post I will go more in depth with how someone’s work process can be affected by outside forces. Oh boy, the next post will be a doozy.
Well, anyway, thanks for reading and take care!